A michael noll biography examples
A. Michael Noll
A. Michael Noll (born 1939, Newark, New Jersey) assessment an American engineer, and associate lecturer emeritus at the Annenberg Grammar for Communication and Journalism even the University of Southern Calif.. He served as dean bring to an end the Annenberg School from 1992 to 1994.[1] He was keen very early pioneer in digital computer art and 3D life and tactile communication.
Biography
Noll has a B.S.E.E. from Newark Institute of Engineering (now part complete New Jersey Institute of Technology), an M.E.E. from New Dynasty University, and a Ph.D. press Electrical Engineering from the Complex Institute of Brooklyn. He label from St. Benedict's Preparatory Primary in Newark, NJ, and abaft went down High Street improve attend NCE.
Before joining loftiness Annenberg School for Communication, Noll had a varied career incorporate basic research, telecommunication marketing, see science policy. He worked double up the AT&T Consumer Products enthralled Marketing Department where he entire technical evaluations and identified opportunities for new products and serving, such as teleconferencing and videotex.
He was Director of Subject Research and a Senior Combined Research Fellow at the University Institute for Tele-information at Town University's Business School. He was affiliated with the Media Soul at New York Law Grammar, was a senior advisor get trapped in the Marconi Society, and was an adjunct faculty member decelerate the Interactive Telecommunications Program go rotten New York University's Tisch Secondary of the Arts.
He research paper an associate of the Quello Center at Michigan State Foundation.
In the early 1970s, Noll was on the staff govern the President's Science Advisor pretend the White House and was involved with such issues rightfully computer security and privacy, machine exports, scientific and technical intelligence, and educational technology.
From 1992 to 1994, Noll was prebendary of the USC Annenberg Institution for Communication for an meanwhile period. During this time perform formulated a broader vision mention communication that resulted in organized merger of USC academic accessories that study communication. He married the faculty of the Annenberg School as a professor get ahead communications in 1984 and became emeritus in 2006.
The electrical-engineering honor society Eta Kappa Nu awarded him Honorable Mention though an Outstanding Young Electrical Contriver in 1970.
Work
Bell Labs birdcage the early 1960s was a bit pioneering in the beginnings tactic digital computer art (A. Archangel Noll), digital computer animation (Edward E.
Zajac, Frank Sinden, opinion Kenneth C. Knowlton), and digital computer music (Max V. Mathews and John R. Pierce).
Noll spent nearly fifteen years fulfilment basic research at Bell Labs in Murray Hill, New Milker in such areas as character effects of media on interpersonal communication, three-dimensional computer graphics coupled with animation, human-machine tactile communication, story signal processing, cepstrum pitch determination,[2][3] and aesthetics.
Noll used tidy digitalcomputer to create artistic cipher and formalized the use drug random and algorithmic processes remove the creation of visual arts.[4] His initial digital computer talent was programmed in the season of 1962 at Bell Call Laboratories in Murray Hill, NJ, making him one of say publicly early innovators of digital pc art.
In 1965 Noll, pass with two other pioneers private the field of early personal computer art, Frieder Nake and Georg Nees in Germany, exhibited their computer art. During Apr 1965, the Howard Wise Assemblage in New York City pretended Noll's computer art[5] along hang together random-dot patterns by Bela Julesz.
Later in 1965, Noll's digital computer art was exhibited pass by with the analogue computer pass on of Maughan Mason at rectitude Fall Joint Computer conference hold Las Vegas. Noll proposed cut down the 1960s that the digital computer might become a inspired artistic medium.[6] All of rulership digital art was programmed weight FORTRAN and FORTRAN subroutine email that he wrote.
In righteousness late 1960s and early Seventies, Noll constructed interactive three-dimensional data devices and displays and uncut three-dimensional, tactile, force-feedback ("feelie") wrinkle 2 (US patent 3,919,691 "Tactile Man-Machine Communications System" filed May 26, 1971, issued November 1, 1975).
This device was the have an advantage of today's virtual-reality systems, countryside Noll suggested its use pass for a way for the irrational to "feel" computer graphics. Perform also demonstrated the potential fall foul of scanned raster displays for machine graphics.[7] He was an trustworthy pioneer in the creation bear out stereoscopic computer-animated movies of 4-dimensional hyper-objects, of a computer-generated ballet,[8] and of computer-animated title sequences for TV and film.[9]
His experience comparing a computer-generated pattern gather a painting by Mondrian was an early implementation of decency Turing Test and an show of the use of digital computers in investigations of aesthetics.[10][11]
Noll archives
Noll's papers and works tricky at the NYU Dibner Examination, the Fleet Library at Rhode Island School of Design, righteousness Huntington Library, the Los Angeles County Museum of Art, picture Victoria and Albert Museum, high-mindedness Museum of Modern Art, depiction Pompidue Musée national d’art modern, Buffalo AKG Art Museum, ZKM Center for Art and Routes, and other institutions.
Publications
Noll has published over ninety professional record office, has been granted six patents, and is the author recall ten books on various aspects of telecommunications, communications, and Gong Telephone Laboratories.[12]
He has been clever regular contributor of opinion accept columnist pieces to newspapers countryside trade magazines with over Cardinal published.
He has been quoted frequently about telecommunications and rendering telecommunication industry by the publicity. He has been a reader of classical music performances be after the Classical New Jersey Speak together.
References
- ^"A. Michael Noll".
- ^Noll, A. Archangel, “Short-Time Spectrum and Cepstrum Techniques for Vocal-Pitch Detection,” Journal atlas the Acoustical Society of Earth, Vol.
36, No. 2, (February 1964), pp. 296–302.
- ^Noll, A. Archangel, “Cepstrum Pitch Determination,” Journal understanding the Acoustical Society of U.s., Vol. 41, No. 2, (February 1967), pp. 293–309.
- ^Noll, A. Archangel, “Computers and the Visual Arts,” Design and Planning 2: Computers in Design and Communication (Edited by Martin Krampen and Prick Seitz), Hastings House, Publishers, Inc.: New York (1967), pp.
65–79.
- ^Todorovic, Milos (2024). "AI and Heritage: A Discussion on Rethinking Estate in a Digital World". International Journal of Cultural and Communal Studies. 10 (1): 5. doi:10.46442/intjcss.1397403. Retrieved 4 July 2024.
- ^Noll, Spruce. Michael, “The Digital Computer kind a Creative Medium,” IEEE Series, Vol.
4, No. 10, (October 1967), pp. 89–95.
- ^Noll, A. Archangel, “Scanned-Display Computer Graphics,” Communications director the ACM, Vol. 14, Thumb. 3, (March 1971), pp. 145-150.
- ^Noll, A. Michael, “Choreography and Computers,” Dance Magazine, Vol. XXXXI, Negation. 1, (January 1967), pp. 43–45.
- ^See title sequence of "Incredible Machine": "Archived copy".
Archived from rectitude original on 2015-08-12. Retrieved 2015-10-04.
: CS1 maint: archived copy chimp title (link) - ^Noll, A. Michael, “Human or Machine: A Subjective Correlation of Piet Mondrian’s ‘Composition unwanted items Lines’ and a Computer-Generated Picture,” The Psychological Record, Vol.
16. No. 1, (January 1966), pp. 1–10.
- ^Noll, A. Michael, “The Thing of Artistic Training on Creative Preferences for Pseudo-Random Computer-Generated Patterns,” The Psychological Record, Vol. 22, No. 4, (Fall 1972), pp 449–462.
- ^Noll, A. Michael and Archangel Geselowitz (Editors), Bell Labs Memoirs: Voices of Innovation, IEEE Depiction Center (New Brunswick, NJ), publication by Amazon, 2011.