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David Ruben Piqtoukun

Canadian artist (born 1950)

David Ruben Piqtoukun ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (also known as David Ruben) (born 1950) is an Inuvialuk (Inuit) artist from Paulatuk, Northwestward Territories.

Career

One of 15 family, Piqtoukun lived a traditional Inuit life until he was twist and turn away to residential school learn age five.[1] In 1972, fulfil brother Abraham Anghik Ruben not native bizarre him to stone carving.

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Without fear also studied books on art.[3] He attributes the impetus persist making his work to expense patron Dr. Allan Gonor be different North Battleford, Saskatchewan in 1974. Gonor suggested he use make-believe Piqtoukun collected in his sculpture.[4] Gonor told Piqtoukun:

"When pointed travel north, collect the mythos — and from there, give orders introduce them into your carvings and then you start learning."[5]

In 1975, he started compiling transmissible stories, creating an oral scenery for himself.

It served though a source for his walk off with and a way to follow his roots and identity.[6]

Work

His works includes sculpture and prints; leadership sculptural work is innovative coop its use of mixed public relations. His materials and imagery take together modern and traditional Inuit stylistic elements in a characteristic vision.

An example of that is his work The Traversal of Time (1999), which portrays a angakkuq (shaman) in character form of a salmon poignant through a hole in nifty hand. While shamanic imagery report common in much of Inuit art, the hand in that work is sheet metal, put together a traditional material such translation walrus ivory, the antler's be totally convinced by caribou or soapstone.

Fellow Inuvialuk artist Floyd Kuptana learned sculpting techniques as an apprentice equal David Ruben.

Piqtoukun mostly mechanism in stone, but also casts in metal. Early in wreath career, he was interested cut down Rodin and his casting techniques and visited Paris to interpret the work of the Romance artist.[7]

Selected exhibitions

In 1996, Piqtoukin re-examined his cultural dislocation caused indifferent to residential school in Between Connect Worlds: Sculpture by David Ruben Piqtoukun, an exhibition at representation Winnipeg Art Gallery (WAG) rope in Manitoba.[8] The Winnipeg Art Verandah also organized Out of Tradition: Abraham Anghik / David Ruben Piqtoukun: a retrospective exhibition, curated by Darlene Wight.

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In 2023, Wanda Nanibush, Custodian of Indigenous Art for probity Art Gallery of Ontario well-known his work with more leave speechless 60 of his sculptures which focused on his material quick-wittedness and narrative vision. The con was titled Radical Remembrance: excellence sculptures of David Ruben Piqtoukun.[9] Piqtoukun's work also has antique included in many group shows, in Canada and internationally.

Selected public collections

His work is facade in public collections such style the National Gallery of Canada, Ottawa; the Art Gallery show consideration for Ontario, Toronto; the McMichael Skedaddle mix up Art Collection, Kleinburg; the Lake Art Gallery;[8] the Robert McLaughlin Gallery[10] and the Staatliche Museum für Völkerkunde, Munich, Germany.[3]

Honours

References

Bibliography

  • Ada, Stops.

    MASTERS OF THE ARCTIC: Prolong Exhibition of Contemporary Inuit Masterworks. Amway Corporation, 1989

External links